Showing posts with label Richard Quine. Show all posts
Showing posts with label Richard Quine. Show all posts

Monday, November 3, 2025

Drive a Crooked Road


Drive a Crooked Road
. Mickey Rooney plays an innocent mechanic and amateur race car driver who gets involved with a gang of bank robbers in this 1954 film noir directed by his good friend, Richard Quine.

Late in his career Rooney turned to serious dramatic roles and this is one of his best performances. Diane Foster plays the irresistible femme fatale who lures him on. Kevin MacCarthy and Jack Kelly play the bad guys. 83 minutes. No captions.

During the late 1930s and early 1940s, the diminutive Mickey Rooney was one of the biggest stars in Hollywood. He is best remembered for playing teenager Andy Hardy in an extremely popular series of films, and for the MGM musicals where he was paired with MGM’s other great teen star, Judy Garland. In these light comedies and musicals Rooney, who had been in show business since early childhood, demonstrated that he was an extremely talented performer and musician. A good example can be seen in Strike Up the Band where Rooney appeared as a leader of a teen age band hoping to make it big. His “Drummer Boy” number where he plays both the drums, and a xylophone is truly iconic. Click on this link. 

Mickey Rooney and Diane Foster



Monday, October 20, 2025

Pushover


Pushover
: Fred MacMurray plays a police detective who falls for the gangster’s moll that he has under surveillance. This 1954 film also features Kim Novak in her film debut. It is easy to see why Novak went on to be a big star. Phil Carey and Dorothy Malone also appear in supporting roles. CC. 88 minutes.

Richard Quine directed this film that critics call a "voyeur" film in which two policemen spy on two women living in separate apartments across a courtyard. Each of them falls in love with the object of their attention.

Fred MacMurray and Kim Novak


Coincidentally, Pushover was released August 1954, the same month as Rear Window, Alfred Hitchcock's technicolor, voyeur classic. In both films people did not seem to bother with drawing their shades.  

Here is a link to Eddie Muller's introduction to Pushover on TCM's Noir Alley. Or view it below.

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